Two Gentlemen of Verona | Act 2.1

Milan. The DUKE’s palace

[Enter VALENTINE and SPEED]

 

SPEED       Sir, your glove.

VALENTINE      Not mine; my gloves are on.

SPEED      Why, then, this may be yours,
for this is but one.

VALENTINE     Ha! let me see: ay,
give it me, it’s mine:

Sweet ornament that decks a thing divine!
Ah, Silvia, Silvia!

SPEED      Madam Silvia! Madam Silvia!

VALENTINE      How now, sirrah?

SPEED      She is not within hearing, sir.

VALENTINE      Why, sir, who bade you call her?

SPEED      Your worship, sir; or else I mistook.

VALENTINE      Well, you’ll still be too forward.

SPEED
And yet I was last chidden for being too slow.

VALENTINE
Go to, sir: tell me, do you know Madam Silvia?

SPEED      She that your worship loves?

VALENTINE      Why, how know you that I am in love?

SPEED      Marry, by these special marks: first, you have
learned, like Sir Proteus, to wreathe your arms,
like a malecontent; to relish a love-song, like a
robin-redbreast; to walk alone, like one that had
the pestilence; to sigh, like a school-boy that had
lost his A B C; to weep, like a young wench that had
buried her grandam; to fast, like one that takes
diet; to watch like one that fears robbing; to
speak puling, like a beggar at Hallowmas. You were
wont, when you laughed, to crow like a cock; when you
walked, to walk like one of the lions; when you
fasted, it was presently after dinner; when you
looked sadly, it was for want of money: and now you
are metamorphosed with a mistress, that, when I look
on you, I can hardly think you my master.

VALENTINE       Are all these things perceived in me?

SPEED      They are all perceived without ye.

VALENTINE      Without me? they cannot.

SPEED      Without you? nay, that’s certain, for, without
you were so simple, none else would: but you are so

without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.

VALENTINE
But tell me, dost thou know my lady Silvia?

SPEED      She that you gaze on so as she sits at supper?

VALENTINE
Hast thou observed that? even she, I mean.

SPEED      Why, sir, I know her not.

VALENTINE      Dost thou know her by my gazing on her,
and yet knowest her not?

SPEED      Is she not hard-favoured, sir?

VALENTINE     Not so fair, boy, as well-favoured.

SPEED      Sir, I know that well enough.

VALENTINE     What dost thou know?

SPEED      That she is not so fair as, of you, well-favoured.

VALENTINE     I mean that her beauty is exquisite,
but her favour infinite.

SPEED      That’s because the one is painted and the
other out of all count.

VALENTINE     How painted? and how out of count?

SPEED      Marry, sir, so painted, to make her fair,
that no man counts of her beauty.

VALENTINE
How esteemest thou me? I account of her beauty.

SPEED     You never saw her since she was deformed.

VALENTINE      How long hath she been deformed?

SPEED      Ever since you loved her.

VALENTINE     I have loved her ever since I saw her;
and still I see her beautiful.

SPEED      If you love her, you cannot see her.

VALENTINE      Why?

SPEED      Because Love is blind.
O, that you had mine eyes;

or your own eyes had the lights they were wont to
have when you chid at Sir Proteus for going
ungartered!

VALENTINE      What should I see then?

SPEED      Your own present folly and her passing
deformity: for he, being in love, could not see to garter
his hose, and you, being in love, cannot see to put on your hose.

VALENTINE      Belike, boy, then, you are in love; for last
morning you could not see to wipe my shoes.

SPEED       True, sir; I was in love with my bed: I thank you,
you swinged me for my love, which makes me the
bolder to chide you for yours.

VALENTINE       In conclusion, I stand affected to her.

SPEED
I would you were set, so your affection would cease.

VALENTINE       Last night she enjoined me to write
some lines to one she loves.

SPEED       And have you?

VALENTINE       I have.

SPEED       Are they not lamely writ?

VALENTINE      No, boy, but as well as I can do them.
Peace! here she comes.

SPEED      [Aside] O excellent motion! O exceeding puppet!
Now will he interpret to her.

[Enter SILVIA]

VALENTINE
Madam and mistress, a thousand good-morrows.

SPEED      [Aside]
O, give ye good even! here’s a million of manners.

SILVIA
Sir Valentine and servant, to you two thousand.

SPEED      [Aside]
He should give her interest and she gives it him.

VALENTINE      As you enjoin’d me, I have writ your letter
Unto the secret nameless friend of yours;
Which I was much unwilling to proceed in
But for my duty to your ladyship.

SILVIA       I thank you gentle servant: ’tis very clerkly done.

VALENTINE       Now trust me, madam, it came hardly off;
For being ignorant to whom it goes
I writ at random, very doubtfully.

SILVIA      Perchance you think too much of so much pains?

VALENTINE      No, madam; so it stead you, I will write
Please you command, a thousand times as much;
And yet–

SILVIA      A pretty period! Well, I guess the sequel;
And yet I will not name it; and yet I care not;
And yet take this again; and yet I thank you,
Meaning henceforth to trouble you no more.

SPEED        [Aside] And yet you will; and yet another ‘yet.’

VALENTINE
What means your ladyship? do you not like it?

SILVIA       Yes, yes; the lines are very quaintly writ;
But since unwillingly, take them again.
Nay, take them.

VALENTINE      Madam, they are for you.

SILVIA       Ay, ay: you writ them, sir, at my request;
But I will none of them; they are for you;
I would have had them writ more movingly.

VALENTINE
Please you, I’ll write your ladyship another.

SILVIA      And when it’s writ, for my sake read it over,
And if it please you, so; if not, why, so.

VALENTINE       If it please me, madam, what then?

SILVIA      Why, if it please you, take it for your labour:
And so, good morrow, servant.

[Exit]

SPEED        O jest unseen, inscrutable, invisible,
As a nose on a man’s face, or a weathercock on a steeple!
My master sues to her, and she hath taught her suitor,
He being her pupil, to become her tutor.
O excellent device! was there ever heard a better,
That my master, being scribe, to himself should write
the letter?

VALENTINE
How now, sir? what are you reasoning with yourself?

SPEED
Nay, I was rhyming: ’tis you that have the reason.

VALENTINE       To do what?

SPEED       To be a spokesman for Madam Silvia.

VALENTINE        To whom?

SPEED       To yourself: why, she wooes you by a figure.

VALENTINE       What figure?

SPEED       By a letter, I should say.

VALENTINE      Why, she hath not writ to me?

SPEED       What need she, when she hath made
you write to yourself? Why, do you not perceive
the jest?

VALENTINE       No, believe me.

SPEED      No believing you, indeed, sir.
But did you perceive her earnest?

VALENTINE
She gave me none, except an angry word.

SPEED      Why, she hath given you a letter.

VALENTINE      That’s the letter I writ to her friend.

SPEED
And that letter hath she delivered, and there an end.

VALENTINE      I would it were no worse.

SPEED      I’ll warrant you, ’tis as well:
For often have you writ to her, and she, in modesty,
Or else for want of idle time, could not again reply;
Or fearing else some messenger that might her mind discover,
Herself hath taught her love himself to write unto her lover.
All this I speak in print, for in print I found it.
Why muse you, sir? ’tis dinner-time.

VALENTINE      I have dined.

SPEED      Ay, but hearken, sir; though the chameleon
Love can feed on the air, I am one that am nourished
by my victuals, and would fain have meat. O, be not
like your mistress; be moved, be moved.

 

[Exeunt] Act 1.3 | Act 2.2


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Updated: June 8, 2021 — 10:12 am